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Автор Grindstaff, Laura
Автор Turow, Joseph
Дата выпуска 2006
dc.description We argue that the most significant and influential research on television over the past five decades positions the medium as a key site for addressing the complex interrelationship between culture and institutional/organizational power. Granting that such work is theoretically and methodologically diverse, we employ an organizational frame that groups political-economic approaches on the one hand and cultural approaches on the other. Political-economic approaches largely attend to issues of power at a macro level, focusing on how ownership and control of television along with the organization of television production practices shape and influence content; cultural approaches focus more on the expressive and symbolic dimensions of television programming and reception. At the same time, contemporary changes in the medium threaten to make past research on television appear quaint and anachronistic. The industry's transformation of television into continually emerging sets of multifaceted digital-interactive technologies challenges researchers to draw enduring perspectives from the older work and assess how they apply to the new-media environment. Consequently, we suggest the term “video cultures” in lieu of “television sociology” as a way of capturing future trends.
Формат application.pdf
Издатель Annual Reviews
Копирайт Annual Reviews
Название Video Cultures: Television Sociology in the “New TV” Age
DOI 10.1146/annurev.soc.32.061604.143122
Print ISSN 0360-0572
Журнал Annual Review of Sociology
Том 32
Первая страница 103
Последняя страница 125
Аффилиация Grindstaff, Laura; Department of Sociology, University of California, Davis, California 95616; email: lagrindstaff@ucdavis.edu

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