| Автор | McDONALD, JAMES, R. |
| Дата выпуска | 1988 |
| Издатель | SAGE PUBLICATIONS |
| Название | Politics Revisited |
| Тип | Journal Article |
| DOI | 10.1177/0044118X88019004008 |
| Print ISSN | 0044-118X |
| Журнал | Youth & Society |
| Том | 19 |
| Первая страница | 485 |
| Последняя страница | 504 |
| Аффилиация | McDONALD, JAMES, R., Millikin University |
| Выпуск | 4 |
| Библиографическая ссылка | ABT, D. (1987) “Music video: impact of the visual dimension,” pp. 96-111 in J. Lull (ed.) Popular Music and Communication. Newbury Park, CA: Sage. |
| Библиографическая ссылка | ARGENT (1972) “Hold your head up.” CBS Records KE 31156. |
| Библиографическая ссылка | BERMAN, M. (1970) The Politics of Authenticity: Radical Individualism and the Emergence of Modern Society. New York: Atheneum. |
| Библиографическая ссылка | BLOOM, H. (1979) “The breaking of form,” in H. Bloom et al., Deconstruction and Criticism. New York: Seabury. |
| Библиографическая ссылка | CAREY, J. T. (1969) “The ideology of autonomy in popular music: a content analysis.”Psychiatry32: 150-164. |
| Библиографическая ссылка | COOPER, B. L. (1982) Images of American Society in Popular Music: A Guide to Reflective Teaching. Chicago: Nelson-Hall. |
| Библиографическая ссылка | COOPER, B. L. (1984) The Popular Music Handbook. Littleton, CO: Libraries Unlimited. |
| Библиографическая ссылка | COOPER, B. L. (1986) A Resource Guide to Themes in Contemporary American Song Lyrics, 1950-1985. Westport, CT: Greenwood. |
| Библиографическая ссылка | DENISOFF, R. S. (1972) Sing a Song of Social Significance. Bowling Green, OH: Bowling Green Univ. Press. |
| Библиографическая ссылка | DENISOFF, R. S. and M. H. LEVINE (1971) “The popular protest song: the case of `Eve of destruction.' ”Public Opinion Q.35 (Spring): 117-122. |
| Библиографическая ссылка | DUNAWAY, D. K. (1987) “Music as political communication in the United States,” pp. 36-52 in J. Lull (ed.) Popular Music and Communication. Newbury Park, CA: Sage. |
| Библиографическая ссылка | DYLAN, B. (1963) “Oxford Town.” Columbia CS8786. |
| Библиографическая ссылка | FERRANDINO, J. (1969) “Rock culture and the development of social consciousness.”Radical America3 (November): 11-34. |
| Библиографическая ссылка | FRITH, S. (1981) Sound Effects: Youth, Leisure and the Politics of Rock'n'Roll. New York: Pantheon. |
| Библиографическая ссылка | FRITH, S. (1986) “Critical response.”Critical Studies in Mass Communication3 (March): 74-77. |
| Библиографическая ссылка | GONCZY, D. J. (1985) “The folk movement of the 1960s: its rise and fall.”Popular Music and Society10: 15-32. |
| Библиографическая ссылка | GRAEBNER, W. (1984) “Teaching The History of Rock 'n' Roll.”Teaching History9 (Spring): 2-20. |
| Библиографическая ссылка | GROSSBERG, L. (1982) “The ideology of communication: poststructuralism and the limits of communication.”Man and World15: 83-101. |
| Библиографическая ссылка | GROSSBERG, L. (1983-1984) “The politics of youth culture: some observations on rock and roll in American culture.”Social Text8: 104-126. |
| Библиографическая ссылка | GROSSBERG, L. (1984a) “Another boring day in paradise: rock and roll and the empowerment of everyday life.”Popular Music4: 225-228. |
| Библиографическая ссылка | GROSSBERG, L. (1984b) “I'd rather feel bad than not feel anything at all: rock and roll, pleasure and power.”Enclitic8: 94-110. |
| Библиографическая ссылка | GROSSBERG, L. (1986a) “Is there rock after punk?”Critical Studies in Mass Communication3 (March): 50-74. |
| Библиографическая ссылка | GROSSBERG, L. (1986b) “Reply to the critics.”Critical Studies in Mass Communication3 (March): 86-95. |
| Библиографическая ссылка | GROSSBERG, L. (1987) “Rock and roll in search of an audience,” pp. 175-197 in J. Lull (ed.) Popular Music and Communication. Newbury Park, CA: Sage. |
| Библиографическая ссылка | HARMON, J. E. (1972a) “Meaning in rock music: notes toward a theory of communication.”Popular Music and Society2: 18-37. |
| Библиографическая ссылка | HARMON, J. E. (1972b) “The new music and counter-culture values.”Youth & Society4 (September): 61-83. |
| Библиографическая ссылка | HIRSCH, P. M. (1971) An Exploratory Study of Youth Culture and the Popular Music Industry. Ann Arbor, MI: Survey Research Center. |
| Библиографическая ссылка | LASWELL, H. and A. KAPLAN (1950) Power and Society: A Framework for Political Inquiry. New Haven, CT: Yale Univ. Press. |
| Библиографическая ссылка | LEWIS, G. H. (1975) “Cultural socialization and the development of taste cultures and culture classes.”Popular Music and Society, 4, 4: 226-241. |
| Библиографическая ссылка | LONDON, H. (1984) Closing the Circle: A Cultural History of the Rock Revolution. Chicago: Nelson-Hall. |
| Библиографическая ссылка | LULL, J. T. (1987) “Listeners' communicative uses of popular music,” pp. 140-174 in J. Lull (ed.) Popular Music and Communication. Newbury Park, CA: Sage. |
| Библиографическая ссылка | MAILLOUX, S. (1982) Interpretive Conventions: The Reader in the Study of American Fiction. Ithaca, NY: Cornell Univ. Press. |
| Библиографическая ссылка | MARCUS, G.“Critical response.”Critical Studies in Mass Communication3 (March): 77-81. |
| Библиографическая ссылка | MASHKIN, K. and T. VOLGY (1975) “Socio-political attitudes and musical preference.”Social Science Q.56: 450-459. |
| Библиографическая ссылка | McDONALD, J. R. (1986a) “Farm Aid: a publicity event.”Popular Music and Society10, 3: 95-98. |
| Библиографическая ссылка | McDONALD, J. R. (1986b) “Rockin' in the classroom: a literary alternative.”Int. J. of Instructional Media13, 2: 145-158. |
| Библиографическая ссылка | McDONALD, J. R. (1988) “Censoring rock lyrics: a historical analysis of the debate.”Youth & Society19 (March): 294-313. |
| Библиографическая ссылка | McDONALD, J. R. (in press) “Suicidal rage: an analysis of hardcore punk lyrics.”Popular Music and Society11, 3. |
| Библиографическая ссылка | MILLER, J. H. (1979) “The critic as host,” in H. Bloom et al., Deconstruction and Criticism. New York: Seabury. |
| Библиографическая ссылка | NUGENT, S. L. (1986) “Critical response.”Critical Studies in Mass Communication3 (March): 82-85. |
| Библиографическая ссылка | ORMAN, J. (1984) The Politics of Rock Music. Chicago: Nelson-Hall. |
| Библиографическая ссылка | PRATT, R. (1986) “The politics of authenticity in popular music: the case of the blues.”Popular Music and Society10, 3: 55-78. |
| Библиографическая ссылка | PRATT, R. (1987) “ `Is a dream a lie if it don't come true, or is it something worse?' A commentary on political implications of the Springsteen phenomenon.”Popular Music and Society11 (Spring): 51-74. |
| Библиографическая ссылка | RIFFATERRE, M. (1978) Semiotics of Poetry. Bloomington: Indiana Univ. Press. |
| Библиографическая ссылка | RODNITZKY, J. (1969) “The evolution of the American protest song.”J. of Popular Culture3: 35-45. |
| Библиографическая ссылка | RODNITZKY, J. (1971) “The decline of contemporary protest music.”Popular Music and Society1: 44-50. |
| Библиографическая ссылка | RODNITZKY, J. (1974) “Popular music in American studies.”History Teacher7 (August): 503-510. |
| Библиографическая ссылка | RODNITZKY, J. (1976) Minstrels of the Dawn: The Folk-Protest Singer as a Cultural Hero. Chicago: Nelson-Hall. |
| Библиографическая ссылка | ROSENSTONE, R. A. (1969) “ `The times they are a-changin': the music of protest.”Annals of the Amer. Academy of Pol. and Social Sci.382: 131-144. |
| Библиографическая ссылка | SPRINGSTEEN, B. (1984) “Born in the U.S.A.” Columbia QC 36653. |
| Библиографическая ссылка | TILLMAN, R. H. (1980) “Punk rock and the construction of `pseudo-political' movements.”Popular Music and Society7: 165-175. |
| Библиографическая ссылка | TOFFLER, A. (1970) Future Shock. New York: Random House. |
| Библиографическая ссылка | TRILLING, L. (1972) Sincerity and Authenticity. Cambridge, MA: Harvard Univ. Press. |
| Библиографическая ссылка | TUCKER, K. (1986) “Rock into the future,” in E. Ward et al., Rock of Ages: The Rolling Stone History of Rock and Roll. Englewood Cliffs, NJ: Rolling Stone Press/Prentice-Hall. |
