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Cambridge University Press по журналам "New Theatre Quarterly"

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  • Keeney Patricia; Rubin Don (Cambridge University Press. Cambridge, UK, 2010-08-01)
    The Shaw Festival, held annually in Niagara-on-the-Lake, Ontario, highlights plays from or about Shaw's lifetime. Patricia Keeney and Don Rubin, who teach at York University in Toronto, here report on the 2009 festival.
  • Shevtsova Maria (Cambridge University Press. Cambridge, UK, 2011-08-01)
    Report on the BITE season at the Barbican, 2010–2011.
  • Potter Robert (Cambridge University Press. Cambridge, UK, 1986-11-01)
    Among the least expected (and least examined) aspects of the Spanish conquest of the Aztec empire in Mexico was its ‘export’ of a neo-medieval form of religious drama. The devastation wrought by the conquistadores upon an ...
  • Cutler Anna (Cambridge University Press. Cambridge, UK, 1998-05-01)
    In this article, the first of a sequence on the ways in which women's bodies are recorded in performance documentation, Anna Cutler offers a new conception and systematic definition of three performance documentations – ...
  • Fitzpatrick Peter (Cambridge University Press. Cambridge, UK, 1986-02-01)
    The increasing diversity of activity outlined in the introductory article to this feature creates some difficulties even for the factual enterprise which follows: the noting of significant events, and even the listing of ...
  • Morley Michael (Cambridge University Press. Cambridge, UK, 1986-02-01)
    As in most English-speaking nations, the success or otherwise of a production in Australia is heavily dependent upon its critical reception: yet, argues Michael Morley, much Australian reviewing is both ill-equipped and ...
  • Inštitorisová Dagmar; Bačová Daniela (Cambridge University Press. Cambridge, UK, 2000-05-01)
    At the cusp of the ‘eighties and ’nineties, theatre in what was soon to become the Slovak Republic had to come to terms not only with the disintegration of the communist system, but with the break-up of the former ...
  • Schall Ekkehard (Cambridge University Press. Cambridge, UK, 1986-05-01)
    Ekkehard Schall, born in 1930, has been a member of the Berliner Ensemble since 1952, and is now among its leading players. He has also directed for the company, having first undertaken the production of Brecht's version ...
  • Stewart Nigel (Cambridge University Press. Cambridge, UK, 1993-11-01)
    ‘Theatre’, Eugenio Barba has said, ‘is a possibility of shaping revolt’. Barba touched upon this belief in NTQ16 (1988), and he professed it again with considerable passion at the conclusion of the seventh public session ...
  • Tessari Roberto (Cambridge University Press. Cambridge, UK, 1988-05-01)
    ‘Fools and graceless buffoons’ was one Italian playwright's view of Italian acting at the turn of the nineteenth century – and the political and linguistic fragmentation of the country continued to prevent any national ...
  • Paget Derek (Cambridge University Press. Cambridge, UK, 2010-05-01)
    The past two decades have seen a remarkable resurgence in documentary theatre in Britain and America, with a growing emphasis on verbatim material. In this article, Derek Paget examines a distinctively twenty-first-century ...
  • Turner Jane (Cambridge University Press. Cambridge, UK, 2007-08-01)
    In this article Jane Turner explores the trilogy of works titled Re-placing Texts, together with Epilogue, devised and performed by the innovative group Plane Performance, now in its tenth year. The trilogy – Three Degrees ...
  • Craven Ian (Cambridge University Press. Cambridge, UK, 1992-08-01)
    Several of the novels of the Spanish writer Vicente Blasco Ibanez (1867–1928) have provided the basis for theatrical adaptations: but the version of The Four Horsemen of the Apocalypse (1916) by Peter Granger-Taylor, staged ...
  • Harrop John (Cambridge University Press. Cambridge, UK, 1985-08-01)
    Slowly, the focus of creative and critical interest in American theatre has shifted from Broadway ‘product’ to the work presented by the non-profit theatres of the regional centres – work which has not only continued and ...
  • de Marinis Marco (Cambridge University Press. Cambridge, UK, 1985-11-01)
    Video recording has recently become an accessible, unobtrusive, and increasingly inexpensive way of making a permanent record of theatrical performances. This might seem to anticipate a revolution in theatre studies, once ...
  • Brown Mark (Cambridge University Press. Cambridge, UK, 2008-02-01)
  • Herbert Ian (Cambridge University Press. Cambridge, UK, 2007-05-01)
    Peter Hepple, who died on 12 October 2006, had been an Advisory Editor of New Theatre Quarterly from the first issue of the relaunched journal back in 1985, and worked with us in the late 1970s during the old Theatre ...
  • Lambert Pru (Cambridge University Press. Cambridge, UK, 1985-08-01)
  • Ballet Arthur H. (Cambridge University Press. Cambridge, UK, 1994-02-01)
    Arthur Ballet was a dramaturg in America before the English-language theatre really knew that such a theatrical functionary had long been leading a curious backstairs life in the theatres of central Europe. He directed and ...
  • Fitzpatrick Peter (Cambridge University Press. Cambridge, UK, 1986-02-01)
    THE PUBLICATION of Theatre Quarterly's feature on Australian theatre in its Summer 1977 number seemed at the time one of a number of tokens of the coming of age of ‘the new Australian drama’. It is probably a truer sign ...