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Cambridge University Press по журналам "Tempo"

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  • Неизвестный автор (Cambridge University Press. Cambridge, UK, 1946-09-01)
    The London County Council has taken the historic step of granting £10,000 to the London Philharmonic Orchestra for one year, thereby giving official recognition to one of the leading cultural institutions of the capital.
  • Matthews David (Cambridge University Press. Cambridge, UK, 1971--01)
    The title means, ‘The Star Faced One’, although the work is generally known by its French title, Le Roi des Etoiles. It has always been the most elusive of Stravinsky's major scores. Composed in 1911–12 and published in ...
  • Bradshaw Susan (Cambridge University Press. Cambridge, UK, 1971--01)
    The five-movement suite from The Soldier's Tale is a trio for clarinet, violin and piano which was written shortly after the original stage work of 1918 (scored for clarinet, bassoon, cornet, trombone, percussion, violin, ...
  • Mellers Wilfrid (Cambridge University Press. Cambridge, UK, 1971--01)
    We all know that the Symphony of Psalms was ‘composed for the glory of God and dedicated to the Boston Symphony Orchestra’, but we don't always notice that this wry equivocation is appropriate to a work whose theme is the ...
  • Young Douglas (Cambridge University Press. Cambridge, UK, 1971--01)
    Stravinsky's ‘Sacred Ballad for Baritone and Chamber Orchestra’ is his only setting of Hebrew, his only work for solo voice on a religious text, and, indeed, his only ‘ballad’. Completed in 1963 and dedicated to the people ...
  • Неизвестный автор (Cambridge University Press. Cambridge, UK, 1977-06-01)
  • Demény János (Cambridge University Press. Cambridge, UK, 1969--01)
    Sándor Veress, who was born in 1907 at Kolozsvár, a major town of Transylvania (now Cluj, Rumania), studied at the Liszt Academy of Music in Budapest, with Kodály for composition, Bartók for piano, and Lajtha for folksong ...
  • Nordwall Owe (Cambridge University Press. Cambridge, UK, 1969--01)
    György Ligeti (b. 1923), who is now an Austrian citizen, left Hungary in 1956 and his links with his native country are now extremely tenuous. Nevertheless, as far as any nationality may be ascribed to him as a composer, ...
  • Uscher Nancy (Cambridge University Press. Cambridge, UK, 1986-03-01)
    Plato discussed the term ‘heterophony’ in his Laws, Part VII, The technique was widely in use by the Notre Dame school of composers in 12th-century Paris. Much of the indigenous music of the Near East and Africa is rich ...
  • Mellers Wilfrid (Cambridge University Press. Cambridge, UK, 1948--01)
    The position of Aaron Copland as the dominant figure in contemporary American music has now won fairly widespread recognition over here; but the recognition does not depend on any very extensive knowledge of his works. It ...
  • Salas Juan Orrego (Cambridge University Press. Cambridge, UK, 1948--01)
    Copland recognized the year 1939 as concluding an epoch of experiment in modern music. This was initiated, he asserts, at the end of the nineteenth century, and passed by way of Mussorgskian realism, French impressionism, ...
  • Mellers Wilfrid (Cambridge University Press. Cambridge, UK, 2000-10-01)
    Aaron Copland was an urban American Jew of Russian extraction born – as he memorably remarked – on November 14 1900 on a street in Brooklyn that can only be described as drab. It had none of the garish colour of the ghetto, ...
  • Cole Hugo (Cambridge University Press. Cambridge, UK, 1966--01)
    We identify the iceberg with the tenth of its bulk that is visible above water, the composer with that fraction of his total output that we happen to know. For those of us who first made contact with Copland's music through ...
  • Cole Hugo (Cambridge University Press. Cambridge, UK, 1966--01)
    Copland's earlier works seem to invite classification—almost to classify themselves—by virtue of the composer's tendency to attack problems singly, and because the situations that evoked them are clear and definable. In ...
  • Неизвестный автор (Cambridge University Press. Cambridge, UK, 1950--01)
  • A. G. (Cambridge University Press. Cambridge, UK, 1947--01)
  • Weinstock Herbert (Cambridge University Press. Cambridge, UK, 1959--01)
    Carlos Chávez is a composer before he is anything else. Although he has become known, in his native Mexico and elsewhere, as a conductor, administrator, and writer as well, he himself has regarded those other activities ...
  • Panufnik Andrzej (Cambridge University Press. Cambridge, UK, 1971--01)
    Although my compositions are extremely diverse in character, I approach each new one in the same manner. I feel somewhat like an architect, tackling my work in three stages, always in the same order: first the purpose, or ...
  • Hutchings Arthur (Cambridge University Press. Cambridge, UK, 1958--01)
    We have not been so annoyed by a tendentious pronoun since Vaughan Williams used it in “Do we want to hear old music as its composers intended?”, for WE regard Cosi as Mozart's loveliest score, with its exquisite serenade-band ...
  • Неизвестный автор (Cambridge University Press. Cambridge, UK, 1944-02-01)