Автор | CRUZ, GABRIELA |
dc.description | After years spent reflecting on Western imperial practices, critic Edward Said wrote that Giuseppe Verdiʼs Aida is ‘a kind of curatorial art’, a workwhose rigorous and unbending frame recall[s], with relentless mortuary logic, a precise historical moment and a specifically dated aesthetic form, an imperial spectacle designed to alienate and impress an almost exclusively European audience. |
Издатель | Cambridge University Press |
Название | Aidaʼs flutes |
DOI | 10.1017/S0954586702000125 |
Electronic ISSN | 1474-0621 |
Print ISSN | 0954-5867 |
Журнал | Cambridge Opera Journal |
Том | 14 |
Первая страница | 177 |
Последняя страница | 200 |
Выпуск | 1-2 |