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AbstractRameau's Platée owes much more to Aristophanes' comedy The Frogs than the frog chorus. The main character in The Frogs, Dionysus, may well have been the inspiration for many of the traits of the nymph Platée. Both rule over wetlands and their inhabitants, and both are subjected to extensive mockery. While Dionysus is a divine patron of the theatre, Platée is a visual metaphor for opera. Dionysus, disguised as Heracles, fails to measure up to the hero, exhibiting cowardly behaviour and physical weakness, just as Platée fails to speak and act as a satisfactory operatic heroine, the model for which is, arguably, Lully's Armide. The parodic elements in the debate between Aeschylus and Euripides over the nature and function of tragedy resonate with the parody of tragédie lyrique which lies at the heart of Rameau's opera. |
