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Автор Wier, Claudia Rene
Дата выпуска 2010
dc.description Italian prima donna Francesca Cuzzoni (ca. 1698–1770) was the first internationally recognized virtuosa to sing high soprano women's roles. Although her work served as a model to the female performers who followed, no in-depth critical study has been written about her groundbreaking career on the opera stage of the Royal Academy of Music in London, where she was the celebrated prima donna from 1723 to 1728. During her tenure, the Royal Academy became one of the most important opera companies in Europe, rivaling those of the Viennese court, the Paris Opera, and the Italian opera houses of Naples and Venice. Her arrival on the London stage signaled a shift in the ways composers set roles in relationship to vocal categories and gender. In particular, Cuzzoni's superior virtuosic vocal abilities influenced and inspired German George Friedrich Handel's (1685–1759) compositional style and his musical treatment of dramatic elements.
Формат application.pdf
Издатель Cambridge University Press
Копирайт Copyright © American Society for Theatre Research 2010
Название A NEST OF NIGHTINGALES: CUZZONI AND SENESINO AT HANDEL'S ROYAL ACADEMY OF MUSIC
Тип research-article
DOI 10.1017/S0040557410000323
Electronic ISSN 1475-4533
Print ISSN 0040-5574
Журнал Theatre Survey
Том 51
Первая страница 247
Последняя страница 273
Выпуск 2

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