Back in London I devoted myself to playgoing, the crowning experience of which was seeing Forbes-Robertson as Hamlet at the Theatre Royal, Drury Lane: a noble actor in a noble role at a noble theatre—and, as I remember it, a production without gimmicks or recondite interpretations of the text. Before returning to the States I wished to see all kinds and conditions of English theatre, and after visits to the West End, I sought Suburbia.